harry potter and the problem of the transcendent
so after reading the book i naturally looked around for some commentary, and i was particularly interested in what religious commentators had to say. i found an article in a prominent publication that i believe is wildly off the mark.
the article comes from Christianity Today and is entitled “What Would Jonathan Edwards Say About Harry Potter?” (thus mixing two of my prime interests!). in this article the author, Josh Moody, begins by stating:
So there we have it. The most engrossing imaginative world created at the start of the 21st century is essentially pagan.
that is the thesis of his article, and i do not think he could be more wrong. i would argue that it is not essentially pagan, but is essentially, i stress the word essentially, Christian. do i think the Harry Potter story is a Christian allegory? no, i don’t. do i think the Harry Potter story deals with many issues pertaining to religion including death, love, the natural state of man, and redemption? you betcha.
Moody goes on in his article to show how Jonathan Edwards interacted with popular (and by that i mean main stream, pop-culture type things) trends of the day, most notably the rise of Enlightenment thinking. he states, and i agree, that Edwards would not have ignored the Harry Potter phenomenon, but would have searched its pages for insight in to why these books affect people the way they do and what that says about the contemporary cultural climate.
Moody then goes on, however, to misrepresent what he sees as the central theme of the series. he says:
The latest and last of Rowling’s Potter series…is all about death. In case the title didn’t make that clear (”the Deathly Hallows”), the frontispiece has two quotations referring to death. There is a sense in which the whole seven-volume series has been about death.
Even Dumbledore (beware: spoiler) seems to have tinkered with the less-than-salutary sides of this fascination. Also, there’s Voldemort, with his evil determination to avoid death at the cost of others’ lives, and Harry, dear Harry, who with his purity and bravery manages to cheat death again and again, even finding himself at one point in a sort of cosmic waiting room with the dead Dumbledore.
now on one level i suppose you could say that the overall story is about death. but i think that would be selling it short. i think it would be much more accurate to say that the overall story is about how to deal with something that we will all one day face, and that, of course, is death. we will all one day die. we will all lose friends and family to that last enemy. the question is more about our response to when that happens and our taking it upon ourselves now to learn how to deal with death for the times when we are staring death straight in the face. i think that’s part of the brilliance of the story. what J.K. Rowling has managed to do is to show children an honorable way, in the characters of Harry and those around him, of dealing with death. too many children’s tales fail to deal seriously and honestly with the subject, too many parents believe it to be too weighty of a subject, and so our children grow up not knowing how to cope when someone is lost. that is a great tragedy.
but Moody’s misreading goes deeper than that. he describes Harry, pure and brave (Harry is certainly the latter, but i would not argue that he is the former), as having managed “to cheat death again and again.” now, that may be true on some level and in some instances, but it makes me wonder if he truly read the entire series as he has claimed to have done. more often than not Harry’s “cheating” of death is due to the brave and gallant friends that he has surrounded himself with, or it is due to the effects of the profound sacrifice of love that his mother made for him when he was an infant.
but though he may have “cheated” death in the first six books, by the end of the seventh Harry was mature enough and brave enough to look death in the face and say, “O Death, where is thy sting?” now i said in my previous post that i didn’t think the scene in which Harry sacrificed himself was that powerful, and i still don’t on a surface reading level, but the more i’ve thought about it the more i’ve discovered the true profundity and beauty of the imagery that Rowling packed in. but more on that in a second.
Moody goes on to say:
What does this tell us, Edwards would have wondered. He would have discovered that we live in an age that is fascinated by the transcendent—and the paranormal—but that, while intrigued, is totally confused about that realm.
Edwards would have seen that the essential question of spirituality—What happens when I die?—is a great vacuum that culture is looking to fill. The series also tells us—and this no less important—that if Rowling’s world is expertly reflecting the light our world can shed on these matters, true understanding is at a pretty low level.
part of the beauty of books is that different readers can get different ideas out of reading the same words. however, i’m not sure where Moody gets that the underlying question of the series is “what happens when i die,” especially when that question is based around the “cosmic waiting room” scene that Moody referenced.
Harry, in a sense, knew what was going to happen when he died. he was going to be able to join those he had lost, those who had sacrificed themselves, by and large, to save and protect him. and he was ok with that. if there was one thing that Harry had finally understood it was that there are far worse things and far worse fates than death.
the “essential question of spirituality” that i believe Rowling addressed in the series is “what is the greatest virtue that exists in the world?” and, as we are continually reminded throughout the seven volumes, that virtue is love. it is shown in the sacrifice Harry’s mother made to protect him. it is shown through the many relationships, flawed as they are, that Harry clung to as he grew up and began to understand love. it is shown through the great sense of guilt and remorse that Dumbledore had in the loss of his sister. it is shown through the incredible lengths that Snape would go to out of love for the girl he never won.
above all that, however, it is shown in Harry, at the height of the ultimate battle between good and evil, accepting his fate, taking that fate head on, and walking to his death under the belief that his sacrifice would save many. deeper than that, however, Harry contained a piece of his enemy within him. thus it was not really Harry who died at the end of the Avada Kedavra curse, but evil. to make it abundantly clear, you could say that Harry carried the ultimate expression of sin and death with him to his death, and he then rose again to fight and win the final victory.
i believe that is what Edwards would have seen. and i believe that he would be satisfied that no more compelling of a story is needed in order to shed “true gospel light on the transcendent.”
one of my professors, here at RTS Charlotte, died yesterday after years of battling cancer. this wasn’t a surprise as Dr. Brown’s health had been declining fairly rapidly over the last month and a half or so as his cancer came back with a vengeance. before he got sick this last time, i was planning on going to Europe with him this summer for a Reformation history course. 




a few months ago i wrote








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