ESV daily verse

Lift up your eyes on high and see: who created these? He who brings out their host by number, calling them all by name, by the greatness of his might, and because he is strong in power not one is missing. (Isaiah 40:26, ESV) (Listen)



on exegeting a stop sign

April 28th, 2006

in my hermeneutics course this morning, my professor shared this humorous list of the various ways that various traditions will exegete a stop sign when the come upon it. most probably won’t find this funny, but maybe there’s a few Bible geeks out there that will.

Suppose you’re traveling to work and you see a stop sign. What do you do? That depends on how you exegete the stop sign.

1. A postmodernist deconstructs the sign (knocks it over with his car), ending forever the tyranny of the north-south traffic over the east-west traffic.

2. Similarly, a Marxist sees a stop sign as an instrument of class conflict. He concludes that the bourgeoisie use the north-south road and obstruct the progress of the workers on the east-west road.

3. A serious and educated Catholic believes that he cannot understand the stop sign apart from its interpretive community and their tradition. Observing that the interpretive community doesn’t take it too seriously, he doesn’t feel obligated to take it too seriously either.

4. An average Catholic (or Orthodox or Coptic or Anglican or Methodist or Presbyterian or whatever) doesn’t bother to read the sign but he’ll stop if the car in front of him does.

5. A fundamentalist, taking the text very literally, stops at the stop sign and waits for it to tell him to go.

6. A preacher might look up “STOP” in his lexicons of English and discover that it can mean: 1) something which prevents motion, such as a plug for a drain, or a block of wood that prevents a door from closing; 2) a location where a train or bus lets off passengers. The main point of his sermon the following Sunday on this text is: when you see a stop sign, it is a place where traffic is naturally clogged, so it is a good place to let off passengers from your car.

7. An orthodox Jew does one of two things:
1) Take another route to work that doesn’t have a stop sign so that he doesn’t run the risk of disobeying the Law.
2) Stop at the stop sign, say “Blessed art thou, O Lord our God, king of the universe, who hast given us thy commandment to stop,” wait 3 seconds according to his watch, and then proceed.
Incidentally, the Talmud has the following comments on this passage: R[abbi] Meir says: He who does not stop shall not live long. R. Hillel says: Cursed is he who does not count to three before proceeding. R. Simon ben Yudah says: Why three? Because the Holy One, blessed be He, gave us the Law, the Prophets, and the Writings. R. ben Isaac says: Because of the three patriarchs. R. Yehuda says: Why bless the Lord at a stop sign? Because it says: “Be still, and know that I am God.” R. Hezekiel says: When Jephthah returned from defeating the Ammonites, the Holy One, blessed be He, knew that a donkey would run out of the house and overtake his daughter; but Jephthah did not stop at the stop sign, and the donkey did not have time to come out. For this reason he saw his daughter first and lost her. Thus he was judged for his transgression at the stop sign. R. Gamaliel says: R. Hillel, when he was a baby, never spoke a word, though his parents tried to teach him by speaking and showing him the words on a scroll. One day his father was driving through town and did not stop at the sign. Young Hillel called out: “Stop, father!” In this way, he began reading and speaking at the same time. Thus it is written: “Out of the mouth of babes.” R. ben Jacob says: Where did the stop sign come from? Out of the sky, for it is written: “Forever, O Lord, your word is fixed in the heavens.” R. ben Nathan says: When were stop signs created? On the fourth day, for it is written: “let them serve as signs.” R. Yeshuah says: … [continues for three more pages]

8. A Pharisee does the same thing as an orthodox Jew, except that he waits 10 seconds instead of 3. He also replaces his brake lights with 1000 watt searchlights and connects his horn so that it is activated whenever he touches the brake pedal.

9. A scholar from Jesus seminar concludes that the passage “STOP” undoubtedly was never uttered by Jesus himself, but belongs entirely to stage III of the gospel tradition, when the church was first confronted by traffic in its parking lot.

10. A NT scholar notices that there is no stop sign on Mark street but there is one on Matthew and Luke streets, and concludes that the ones on Luke and Matthew streets are both copied from a sign on a completely hypothetical street called “Q”. There is an excellent 300 page discussion of speculations on the origin of these stop signs and the differences between the stop signs on Matthew and Luke street in the scholar’s commentary on the passage. There is an unfortunately omission in the commentary, however; the author apparently forgot to explain what the text means.

11. An OT scholar points out that there are a number of stylistic differences between the first and second half of the passage “STOP”. For example, “ST” contains no enclosed areas and 5 line endings, whereas “OP” contains two enclosed areas and only one line termination. He concludes that the author for the second part is different from the author for the first part and probably lived hundreds of years later. Later scholars determine that the second half is itself actually written by two separate authors because of similar stylistic differences between the “O” and the “P”.

12. Another prominent OT scholar notes in his commentary that the stop sign would fit better into the context three streets back. (Unfortunately, he neglected to explain why in his commentary.) Clearly it was moved to its present location by a later redactor. He thus exegetes the intersection as though the stop sign were not there.

13. Because of the difficulties in interpretation, another OT scholar emends the text, changing “T” to “H”. “SHOP” is much easier to understand in context than “STOP” because of the multiplicity of stores in the area. The textual corruption probably occurred because “SHOP” is so similar to “STOP” on the sign several streets back that it is a natural mistake for a scribe to make. Thus the sign should be interpreted to announce the existence of a shopping area.

14. A “prophetic” preacher notices that the square root of the sum of the numeric representations of the letters S-T-O-P (sigma-tau-omicron-pi in the Greek alphabet), multiplied by 40 (the number of testing), and divided by four (the number of the world–north, south, east, and west), equals 666. Therefore, he concludes that stop signs are the dreaded “mark of the beast,” a harbinger of divine judgment upon the world, and must be avoided at all costs.

hehehe. such good stuff.





n.t. wright on the da vinci myth

April 12th, 2006

in light of this being holy week and the media coverage that gets (usually with programs attacking Christianity and its beliefs), in light of the recent media coverage concerning The Gospel of Judas, in light of the forthcoming media frenzy over the release of The Da Vinci Code movie, i thought i would post this transcript of a lecture recently given by controversial Anglican Bishop of Durham, N.T. Wright (link is to an unofficial site, although it is supported by Bishop Wright).

i say controversial because Bishop Wright is one of the foremost players in the debate over the New Perspective on Paul, a debate which calls into question the Reformational (and Augustinian) understanding of the definition and outworkings of the doctrine of justification. but that is a topic better discussed elsewhere. the concern here is what Wright has to say about Dan Brown’s ficticious novel (which may seem redundant, but it is breathtaking how many people take this book as credible and historical fact). despite what a lot of Reformed folk may say, Wright has been very influential in discussions and debates centering around the person of Jesus Christ. he has thoroughly responded to the Jesus Seminar and defended the canonical portrait of Jesus that the Gospels of Matthew, Mark, Luke, and John have presented for the last 2000 years. Wright has been particularly beneficial (from what i hear, i have yet to read the book although i will soon) in his defense of the historicity and necessity of the physical resurrection of the body of Jesus.

because of his work on the person of Christ, and his influence and credibility in the scholarly world, he presented a lecture at The Seattle Pacific University, responding to the cultural phenomena that has caused a good deal of doubt and harm to Christianity worldwide. the full transcript of the lecture can be found here, and it is well worth taking the time to read it, especially if you have yet to read the book, although i would definitely encourage reading the book, just to get a first hand look at its lies, historical errors, horribly transparent characterization, and maddening writing style (at one point in the lecture Wright says of that the book that so many erroneous “details abound which make the first-century historian snort and want to throw the book into the fire,” which, i can attest, was certainly the case with me). we should most certainly not embrace the fabrications that Dan Brown and his predecessors have published, but neither should we be afraid to read what they have to say and engage and refute them. for this reason, i am most grateful for the work that Bishop Wright is doing in defending our great Savior.

the transcript is rather long and i’m sure most won’t read it all the way through. so, for this reason, i have included the “conclusion” section, which i found to be the most profound and succinct way to describe the danger of this book and forthcoming movie.

Let me sum up this lecture in the following way. The Da Vinci Code is a symptom of something much bigger, a lightning rod which has throbbed with the electricity of the postmodern western world.

One of the basic fault lines in the contemporary Western world is the line between neo-Gnosticism on the one hand and the challenge of Jesus on the other. Please note that, despite strenuous attempts to make this line coincide with the current sharp left-right polarization of American culture and politics, it simply doesn’t. Nor, for that matter, does it coincide with the polarizations of British or European culture either. So what is this real, deep polarization which runs through our world?

Neo-Gnosticism is the philosophy that invites you to search deep inside yourself and discover some exciting things by which you must then live. It is the philosophy which declares that the only real moral imperative is that you should then be true to what you find when you engage in that deep inward search. But this is not a religion of redemption. It is not at all a Jewish vision of the covenant God who sets free the helpless slaves. It appeals, on the contrary, to the pride that says “I’m really quite an exciting person, deep down, whatever I may look like outwardly” — the theme of half the cheap movies and novels in today’s world. It appeals to the stimulus of that ever-deeper navel-gazing (“finding out who I really am”) which is the subject of a million self-help books, and the home-made validation of a thousand ethical confusions. It corresponds, in other words, to what a great many people in our world want to believe and want to do, rather than to the hard and bracing challenge of the very Jewish gospel of Jesus. It appears to legitimate precisely that sort of religion which a large swathe of America and a fair chunk of Europe yearns for: a free-for-all, do-it-yourself spirituality, with a strong though ineffective agenda of social protest against the powers that be, and an I’m-OK-you’re-OK attitude on all matters religious and ethical. At least, with one exception: You can have any sort of spirituality you like (Zen, labyrinths, Tai Chi) as long as it isn’t orthodox Christianity.

By contrast, the challenge of Jesus, in the 21st century as in the first, is that we should look away from ourselves and get on board with the project the one true God launched at creation and re-launched with Jesus himself. The authentic Christian gospel, which is good news about something that has happened as a result of which the world is a different place — this gospel demands that we submit to Jesus as Lord and allow all other allegiances, loves and self-discoveries to be realigned in that light. God’s project, and God’s gospel, are rooted in solid history as opposed to Gnostic fantasy and its modern equivalents. Genuine Christianity is to be expressed in self-giving love and radical holiness, not self-cosseting self-discovery. And it lives by, and looks for the completion of, the new world in which God will put all things to rights and wipe away all tears from all eyes; in which all knees will bow at the name of Jesus, not because he had a secret love-child, not because he was a teacher of recondite wisdom, not because he showed us how we could get in touch with the hidden feminine, but because he died as the fulfillment of the Scriptural story of God’s people and rose as the fulfillment of the world-redeeming purposes of the same creator God; and because, in that death and resurrection, we discover him to be the one at whose name every knee shall indeed bow, in heaven and on earth and under the earth, confessing Jesus Christ as Lord to the glory of God the Father.





if i could…

April 6th, 2006

Storyhilli would like to introduce you to a band (well….more like a duo) that you have probably never heard of. sarah, my wife, introduced me to to them a couple of years ago (i actually used one of their songs when i asked her to marry me) and we have just gotten back from seeing them at The Evening Muse here in Charlotte. these two guys grew up in Montana and a lot of their songs stem from experiences or observations in that state. they’re very Simon & Garfunkelish with amazing harmonies and dueling guitars. it was breathtaking to see the rate at which they finger-picked their guitars. it made me want to give up any effort of wanting to be a guitar player, just knowing that i will never be able to play like that.

at any rate, the duo is called Storyhill and you can get a small glimpse of their amazing talent by clicking here.